Volume
33 Number 1 Spring 2005
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The 1963 Composition Revolution Will Not be Televised, Computed, or Demonstrated by Any Other Means of Technology |
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English 401: Composition IV: Theory and Research |
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Online Exclusive Book Reviews
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What Writing Does and How It Does It: An Introduction to Analyzing Texts and Textual Practices, edited by Charles Bazerman and Paul Prior |
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Thomas Allbaugh
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Where Writing Begins: A Postmodern Reconstruction, by Michael Carter |
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Whose Goals? Whose Aspirations?: Learning to Teach Underprepared Writers Across the Curriculum, by Steve Fishman and Lucille McCarthy |
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Liberating Voices: Writing at the Bryn Mawr Summer School for Women Workers, by Karyn L. Hollis |
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Genre in the Classroom: Multiple Perspectives, edited by Ann M. Johns |
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Geographies of Writing: Inhabiting Places and Encountering Difference, by Nedra Reynolds
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Crossing the Curriculum: Multilingual Learners in College Classrooms, edited by Vivian Zamel and Ruth Spack
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Hunting Corderian Rhetoric |
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Genre and the Invention of the Writer, by Anis Bawarshi |
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Michael J. Salvo
Julie Staggers
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William DeGenaro
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(Download PDF) |
Abstracts for Composition Studies 33.1
Sirc, Geoffrey. "Composition's Eye/Orpheus's Gaze/Cobain's Journals." Composition
Studies (33.1): 11-30.
Kurt Cobain's Journals, in the expressive quality of their form and content,
cause one to wonder just why the journal has fallen out of fashion in
contemporary composition. Certainly, earlier compositionists in our field
saw the journal as a crucial tool for learning to write. And critical
theorists (e.g., Maurice Blanchot) find the journal significant in helping
create a literary space for the writer. In this article, I address this
issue, looking at Cobain and other journal-writers (Joseph Cornell and a
couple of my students) to give us pause as regards the daybook's elision
from our curriculum.
Mastrangelo, Lisa S., and Victoria Tischio. "Integrating Writing, Academic Discourses, and Service Learning: Project Renaissance and School/College Literacy Collaborations." Composition Studies (33.1): 31-53.
"Integrating Writing, Academic Discourses, and Service Learning: Project Renaissance and School/College Literacy Collaborations” discusses a year-long general education program for first-year students that integrated disciplinary learning with a pen pal project in light of the goals of critical pedagogy and service-learning. The program aimed at providing connecting students’ lived experiences in the pen pal project with academic knowledges in order to increase their critical awareness of literacy as a complex social ability that is highly implicated social formations, such as individual opportunity and equity. The pen pal project, which involved a group of first-year college students at a northeastern state university and kindergarten, first, and second graders from a local public elementary school, helped ground the academic concepts studied in three disciplinary modules (biology, sociology, and philosophy) in experience through the college students' interactions (face-to-face and text-mediated) with their pen pals. College and elementary students, alike, found increased motivation toward literacy through the pen-pal exchanges. Additionally, this team-taught, writing-intensive year-long course encouraged the college students to write with the local community and to work towards developing a critical consciousness of the world around them.
Rice, Jeff . "The 1963 Composition Revolution Will Not be Televised, Computed, or Demonstrated by Any Other Means of Technology." Composition Studies (33.1): 55-73.
This article challenges the rebirth narrative traditionally attributed to Composition Studies and the date 1963. By revisiting specific media-oriented moments excluded from that narrative, the article discovers important moments ignored by Composition Studies regarding technological innovation and rhetorical production. The article argues that the failure to recognize these missing moments has generated broad consequences for how Composition Studies defines writing and technology today. To work with technology and writing involves breaking out of the traditional 1963 narrative and working from the moments not yet studied.
Young, Sandra. "Beyond 'Hot Lips' and 'Big Nurse': Creative Writing and Nursing." Composition Studies (33.1): 75-91.
This essay describes a special topics creative writing course designed
for nursing students, and argues that creative writing strategies work
to improve nurses' compositional skills. Also discussed are other
potential benefits from creatively writing patients' lives, notably, the
blending of arts and sciences, and the ways in which medical schools are
encouraging their students to study the humanities, especially
literature and creative writing. Essay includes student creative
writing samples.
Mulvaney, Mary Kay . "English 401: Composition IV: Theory and Research." Composition Studies (33.1): 93-109.
"English 401: Composition IV: Theory and Research" is designated in the Elmhurst College catalogue as “a writing course that introduces students to the scholarly field of composition studies.” It is part of a series of courses for English majors pursuing a degree with “Writing Emphasis,” for students seeking teacher certification, or for any interested upper-level students who have completed an advanced writing course beyond the traditional first-year composition sequence. Elmhurst College, located in the western suburbs of Chicago, is a four-year, comprehensive, liberal arts college (granting bachelor and masters degrees) with approximately 2,550 students, including traditional, non-traditional, resident, and commuter students.
View this Course Design Online.